This piece was written to fulfill the requirements of "Theatre for the Ear," a class at Carnegie Mellon University that focuses on sound design for non-visual art forms. We were prompted to write and record a 10-15 minute piece that could not exist in any other medium but sound. The guided meditation art form was particularly interesting to us because of the faith the meditation mediator must have with the audience. We then expanded on that platform to consider what would happen if the mediator broke that trust.